Colin Milne

Dear Author,

It's been a few years since I've been able to participate in this exchange and I've missed it! I am generally quite easy to please so long as you avoid my DNWs, so I hope you enjoy writing a fic for me!

I've got a bunch of different pairings/OT3s with different preferences for each. The one thing that I most want for all of them is that the requested pairing/OT3 fall in love by the end of the story (if they aren't in love already) and a reasonably happy ending. By "reasonably" happy, I mean, the situation around them can be kind of dark, but they're together and that's what matters.

The first most important DNW is: infidelity. I am just not here for that.

I'm totally fine with people having pasts in which they loved/were with/were married to other people but by the time the characters get together, I want them both to be single. Or, in the case of an OT3 where two thirds of the characters are married to each other, they both need to be enthusiastic about inviting a third member into the relationship.

Some other DNWS:

+ PWP. Porn is fine, I just don't want the porn to be all the fic is. And porn is in no way necessary--you can write the most rated G fic ever if you like. I love all ratings equally.
+ Instalove/love at first sight (for anyone other Wangxian--infatuation at first site is okay for them--or Peter falling in love with Harriet because canon). As an ace person, it's super important to me that characters actually know each other before they fall in love.
+ Modern AUs of historical/fantasy fandoms. Canon divergence/what ifs are amazing, though, and if you want to twist the setting a little bit (giving Hodel magical powers or making Lan Wangji emperor or something), go for it. I just do not want to read about any of these historical/fantasy characters working in a coffee shop.
+ Major character deaths (unless someone comes back to life à la Wei Wuxian)
+ Character bashing
+ Unmitigated fluff (some fluff is fine! But I'd like some deeper feelings to dig into.)
+ Onscreen noncon
+ Focus on babies/children
+ Watersports/scat
+ BDSM outside the bedroom


General likes: angst, especially if it ends happily; getting together; hurt/comfort; mutual pining; in character characters; complicated relationships between women; good worldbuilding; longfic; outsider povs; location/setting as character; political intrigue; forced proximity; good people trying to do the right thing; bad people trying to do the right thing; found families; siblings; porn with feelings; character A having to rescue/defend character B; total devotion/us against the world dynamics. I also love the other characters in these canons, so bringing them into the fic in large supporting roles is great!

Now onto the requests.


( The Queen's Thief )


( Six of Crows )


( Fiddler on the Roof film )


( The Untamed )


( Shadow of the Moon )


( Spinning Silver )


( Life with Derek )


( Lord Peter Wimsey series )

I have made many a post about how no other writer scratches the same itch that Robin McKinley does, but here is another one, expanded out to talk about other writers who scratch very specific itches.

I am skeptical of the BookTok/GoodReads "readalikes" conversation, because I don't think there are any writers who actually readalike--every writer is distinct--and also I hate the tendency of book copy to compare books to other books/writers ("for readers of...") mostly because the comparisons are usually bad comparisons! Book B is nothing like Book A actually! Why did you even say that it was? Have you, person who wrote the copy, actually read both books? Etc.

However, I do think that thoughtful comparisons of writers can be helpful is the conversation is very specific about what you're actually comparing. For instance: if you ask for writers like Austen and someone suggests Heyer, that could work really well if what you're looking for is "romance set in Regency England written by someone who isn't just writing about Regency England via osmosis of reading a thousand other Regency novels" but it would simply be frustrating if what you're looking for is "gorgeous early 19th century prose and keen-eyed commentary on human foibles and social expectations." See?

So I'd like to have a discussion about what itches particular writers scratch that are difficult to find in other writers' works. That's not elegantly phrased, but maybe examples will help.

I'll probably make several posts about this featuring a handful of favorite writers or perhaps favorite books and I would be VERY interested to hear what itch-scratchers you're always looking for, whether in the comments or in your own posts. And if you can think of any writers or specific books that hit any one of the points I'm looking for below, please, please share recs! Recommendations are my love language!

When I say that I want more books like Eva Ibbotson's (adult) books (and Star of Kazan), what I mean is one or some combination of the following:
+ golden descriptions of pre-WWII Europe (particularly Hapsburg territory, particularly Vienna) with its sense of how diverse Europe was with dozens of different cultures all jostling with each other
+ colorful, eccentric, specific characters (mostly these are supporting characters in her books, not the leads, but I am happy whenever they arise) evoked through amazing details
+ beautiful writing about love for the arts, including moments of transcendence and grace in the midst of sorrow

What I'm not talking about:
+ the romances, which I find only partially convincing most of the time

When I say that I want more books like Robin McKinley's, what I am saying:
+ close attention to the domestic details of life from baking to raising newborn puppies to creating fire-proof dragon-fighting gear
+ an atmosphere that is warm without being saccharine--there's sorrow, pain, loss, etc. alongside the coziness
+ wonderful evocations of magic
+ wonderfully realized female characters (Beagle's Tamsin did this for me, if you want another example)

What I'm not talking about:
+ any particular one of her settings--I like them all but I don't go searching for them
+ fairytale retellings--these can be good! but often are not

When I say I want more books like Barbara Hambly's Benjamin January series, what I mean is:
+ vividly evoked specific historical settings, a strong sense of place, settings that are rare and not over-visited (look, I love Victorian London as much as anyone, but sometimes I'd rather have a story set in Central Asia or the Incan Empire or something)
+ close attention to how power affects how people move through the world (without getting preachy)
+ focus on how marginalized people find agency and build lives despite the limits enforced on them by those forces of power
+ depictions of people trying (sometimes succeeding, sometimes failing) to build relationships across those societally-enforced lines

What I'm not talking about:
+ historical mysteries, necessarily (I love historical mysteries when done well but SO many of them just do not work for me)


When I say I want more books like Susanna Clarke's, what I mean is:
+ magic that is beautiful but untamable, wild and fey
+ delightful footnotes or digressions
+ love for scholarship, history, books, etc.
+ a sense of wonder
+ a sense of the writer's deep understanding of the literature and history of the era she's writing about

What I'm not talking about:
+ conflicts between men wielding magic in different ways
+ Regency-era fantasy, necessarily (again, most of this does not hit for me)